Meltwater, 2024 ongoing

In 2023 I had the opportunity to travel to Iceland to explore, draw, and research glaciers. I was interested in the effects of climate change on the melting of glacier ice and how that might be represented in painting. The experience of sitting still, watching and listening as the ice was transforming in front of me was compelling.

During my research I was able to crawl around, get up close to, listen to and gaze down on several different glaciers. The sheer beauty of the surface with its wrinkled sculpted skin, the scale of the rivers of ice plummeting down from 2,000 metres to sea level in a space of just a few kilometres and the overwhelming sense of vulnerability and fragility was mesmerising. One of the things that struck me so profoundly was the sense of movement and life that was encapsulated in the stillness of the sculptural forms, created by the constant sounds of running meltwater beneath the ice, the groaning of shifting ice within its belly and the occasional collapse of the ice breaking off. I have tried to capture this sense of movement and the life force within the glacier by focussing on the glacial meltwater.

The paintings shift between abstraction and figuration as I bring together different viewpoints including aerial mapping of the vast, sediment rich, braided river systems flowing from the melting ice and the sculptural forms, the crevasses and seracs of the glacier in a precarious state of collapse floating in their own meltwater to highlight the glacier's scale, beauty, transience and fragility. I intend to draw attention to what is at stake and what the potential loss is.

 Over the next century, 80% of Europe’s glaciers will completely melt and become extinct due to irreversible human induced global warming. In 2014 a glacier in Iceland, Okjökull, was declared extinct, and there are now glaciers in the alps that have been reduced to remnant patches of ‘dead ice’, (ice that is no longer moving). The temperature in the Arctic is rising faster than anywhere else in the world and as a consequence Arctic ice is melting at an alarming rate. The impact of this melting will forever change the cultural and natural landscapes of Arctic countries and the European Alps with catastrophic ecological consequences. As well as that there is the tragic loss of the uniquely beautiful and fragile aesthetics that glacial landscapes embody. 

My solo exhibition, Meltwater was exhibited at Bett Gallery, Hobart in December 2024

https://www.bettgallery.com.au/exhibitions/339-sue-lovegrove-meltwater/


SueLovegrove_No619_2024web
Meltwater, 2024 ongoing
A series of paintings which explore the effects of climate change on the glaciers of Europe and Iceland
SueLovegrove_No623web_2024
Meltwater No 623
150cm (W) x 120cm (H)
acrylic and ink on aluminium
SueLovegrove_No622_2024web
Meltwater No 622
120cm (W) x 150cm (H)
acrylic, ink, and 24 ct gold leaf on aluminium
SueLovegrove_No621_2024web
Meltwater No 621
120cm (W) x 90cm (H)
acrylic, ink and 24 ct gold leaf on aluminium
SueLovegrove_No619_2024web
Meltwater No 619
120cm (W) x 90cm (H)
acrylic and ink on aluminium
LovegroveSue_No618_2024web
Meltwater, No 618, 2024
90cm (W) x 60cm (H)
Acrylic and ink on Aluminium
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Meltwater, No 616, 2024
120cm (W) x 90cm (H)
Acrylic and ink on aluminium
LovegroveSue_No615_2024web
Meltwater No 615, 2024
120cm (W) x 90cm (H)
Acrylic and ink on Aluminium
SueLovegrove_No610_2024web
Meltwater No 610
61cm (W) x 46cm (H)
acrylic and ink on Claybord
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No 600, 2023 from the series Meltwater 
61cm (W) x 45cm (H)
Acrylic and ink on board
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No 606, 2024 from the series Meltwater
120cm (W) x 90cm (H)
Acrylic and ink on Aluminium
lovegrove_605_24AS
No 605, 2024, from the series Meltwater
180cm (W) x 90cm (H)